22/7 TRIANGLE

Designed by Bob Myer as part of Electro-Harmonix bossman Mike Matthews’ quest to nail Hendrix’s almighty live sound, the Big Muff crashed onto the scene in late ’69. It marked a considerable step forward from E-H’s original Fuzz Face inspired Muff Fuzz and was one of the key designs to take The Fuzz boldly into the next decade. Indeed, if the Maestros/Tonebenders/Fuzz Faces of the sixties were hot rods straight out of the garage, the Big Muff was a roaring Detriot muscle car.